![]() ![]() ![]() ![]() Despite the angst and protest against the conservatism of their Their feminist undercurrents and subversive ethos, these narratives seem to employ circumspectĪttitude and playing it safe. Intelligence which mars the feminist potential of the texts. Literature, loneliness, marginality and so on, I argue that there is a tendency to see their ownĮxcellence as exceptional, their achievements as individualistic marks of courage and Though both writers have constructed the ‘self’ by using tropes of gender, religion, ![]() Nation with more or less similar connotations in its predicament and struggle in a predominantly Indian women’s lives in the wake of nationalistic struggles and the aspirations of a postcolonial Their autobiographies, record the story of transitions in middle-class, upper caste Literatures as well as major literary figures in their respective mother tongues as well as in Both, Kamala Das and Amrita Pritam were major feminist icons in Indian I propose to examine two autobiographies, My Story by Kamala Das, Revenue Stampīy Amrita Pritam. ![]()
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